As the film industry in Hungary develops, one thing we notice is that local film-making is increasingly crossing over with international audiences. Much of this seems due to the broad appeal of the projects that are undertaken, mixed with a distinct sense of ‘voice’ when it comes to films from Hungary. Looking at pictures like the multi-lingual Hier (see an interview with the director here) much of which took place in northern Africa, and the visionary, narrative friendly Sunset, we see a bridge between what was once a very insular industry and the larger world audiences. This has never been more true than with the recently released animated film Ruben Brandt, Collector.

This full-length, hand-drawn animated feature exploits the much loved genre of the art caper. The film was conceived of and directed by Slovenian-born Milorad Krstic and made in Hungary with English-language and Hungarian speaking actors, meaning there are both English and Hungarian versions. The story follows the character Rubin Brandt, a man who is haunted by nightmares of being attacked by the world's most famous paintings, including works by Botticelli, Gauguin, Van Gogh, Hopper, Picasso and Warhol. To put an end to his torment, he plots to steal and possess the art from such museums and the Louvre, Tate, Uffizi, Hermitage, and MoMA, and keep them for himself, thereby robbing them of their power.

The film, widely praised for its expert animation and intimate knowledge of the art world, has been bringing in strong reviews from the trades. Daily Variety said: "While Krstić is especially good at providing noir atmosphere (jazzy, smoke-filled dives, ominous shadows, and references to Mike Hammer films), he positively excels at high-octane action." The Hollywood Reporter says it is "ingeniously imagined," and "Ruben Brandt’s pacing is amazingly fast for a film filled to the brim with art-history references and ideas borrowed from modern psychology and lovers of either field will have a, well, field day spotting the countless visual and verbal references."

In a show of its belief in the film's international appeal, last September Sony Pictures Classics acquired rights to distribute it in North American and Latin America. Ruben Brandt, Collector is the feature animation debut of 66-year-old Krstić, though his short My Baby Left Me won the Silver Bear at the Berlin film festival. Let's hope Brandt continues to collect great reviews, and paints a pretty picture at the box office.

Flatpack Films has many years of experience dedicated to offering expert servicing. It has brought the best of Hungary to countless brands, agencies, and production companies through its unique locations, exceptionally skilled crews, top of the line equipment and technical solutions. Backed by an impeccable track record, Flatpack Films has worked with world-class clients including Samsung, Samsonite, Toyota, Braun, Chivas Regal and many more - bringing their projects to life through a highly bespoke approach.